From business school to robot whisperer.

Fifteen-plus years in communications. Five years deep in generative AI. Three hundred-plus models trained. A wall of recognition from the first crop of AI film awards. And a cat with more trophies than most humans. I make cutting-edge tech do things it probably wasn't designed for — but should have been.

CALE FROMBACH LAKE COUNTRY, BC EST. 20XX → 2026
BASED IN
Lake Country, BC
OPERATING SINCE
20XX / working
CRAFT
Direction + AI infrastructure
CURRENT FOCUS
Studios that ship

Plot twist: I went to business school to learn about PowerPoint and spreadsheets, and ended up teaching AI models to make rap videos about cats. Life's funny like that. Fifteen-plus years of professional communications experience went into mastering the art of explaining complex tech without inducing comas — a skill that turns out to be the entire job.

Somewhere in there, generative AI showed up and broke every assumption I had about what a small team could pull off. I specialize in making these tools do things they probably weren't designed for (but should have been). My work ranges from serious business consulting to content that makes people question their life choices in the best possible way. I'm basically a translator between "cutting-edge AI research" and "what the hell does this button do?"

Three hundred-plus published models later, here we are. I've trained FLUX, Stable Diffusion, Qwen, and video models like they're digital pets. Built ComfyUI pipelines that scared me a little when they ran. Won some awards — my cat won more. And got really specific about what this technology is genuinely good at, versus where it's still mostly marketing.

Based in Lake Country, BC, where the WiFi is strong and the coffee stronger — alongside my partner in crime Allie (the cat) and Lia (the dog). I work with clients globally who appreciate both technical expertise and the occasional dark sense of humour. When I'm not doing this, I've bought-fixed-flipped two foreclosed homes, manage a serious investment portfolio, and recently finished a horticulture certificate. How's that for variety?

Now it's three things: I direct my own work (the videos up top), I teach creative teams the real stack (the training), and I drop into studios that need someone who's actually shipped this in the room (the consulting). That's the whole business. No funnel, no growth-hacking, no BS.

— Cale Director · Founder · Frombach Studios

Six things I actually believe.

Most of this trade is people pretending they have a process. These are the ones I've found are actually load-bearing.
/ 01

The cat gets a credit.

If a tool, a person, or a model contributed to the work, it shows up in the credits. Including the model trained on someone else's labour. Especially that one.

/ 02

Ship the bad first draft.

The fastest way to know what to build is to build something embarrassing and look at it. Every project I've ever shipped started ugly.

/ 03

No magic prompts.

If someone is selling you a prompt template, they have not shipped anything real. The work is in the iteration, the constraints, and the taste — not the spell.

/ 04

Pipelines beat platforms.

Every closed AI platform is one pivot away from breaking your workflow. The studios that stay flexible are the ones that own the connective tissue.

/ 05

Honest about limits.

There are still things this technology can't do. Pretending otherwise wastes everyone's money. The cheap stuff is the cheap stuff. The expensive stuff is still expensive — for now.

/ 06

Make it yours.

Generic AI looks generic. Your studio's voice, in a custom model, is the only durable thing in this stack. Everything else gets commoditized within a quarter.

"Most AI trainers have played with Midjourney for six months. I've shipped three hundred production models."
On why I do this

The path, roughly.

20XX

Business school

[VERIFY year] Went in for PowerPoint and spreadsheets. Left with a communications career and no idea what was coming.

20XX

Communications career

[VERIFY] 15+ years explaining complex things to people without putting them to sleep. The skill that quietly became the whole job.

2022

First LoRA

[VERIFY year] Two days of bad documentation and one moment of "oh." The thing that changed the trajectory. Haven't really stopped since.

2023

AI goes into client work

[VERIFY] Started using AI for pre-vis, concept work, and "impossible" shots. Most clients didn't know until I told them.

2024

Recognition begins

Honours from the first generation of AI film competitions — Project Odyssey, Civitai. [VERIFY specifics]

2025

Recognition continues

Multiple Chroma Awards. Continued Project Odyssey recognition. Other studios start asking how it's done. [VERIFY specifics]

2026

Frombach Studios, properly

Pivot from a portfolio site to the three-thing studio it actually is: direction, training, consulting. This site.

IN POST

Two pieces in finishing

A long-form narrative short and a music video, both in colour and online — usual late-stage drift.

TEACHING

First cohort in queue

Inaugural training program kicks off Q3 2026. Cohort still being scoped — book a call to see if your team fits.

CONSULTING

One fractional slot open

Available for one new fractional AI lead engagement starting Q3. Audits and short projects open more flexibly.

BUILDING

Internal tooling, always

ComfyUI workflows, LoRA pipelines, model-training automation. The boring stuff that makes the work fast.

Where else.